The Third Man Movie Review

Published: 2021-06-29 07:07:13
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Category: Music and Movies

Type of paper: Essay

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The Third Man was directed by Carol Reed in 1949. It was shot on location in Vienna. It is a film that is greatly concerned with the effects that a wrecked post-war city has on its inhabitants. Shot on location in the bombed out streets of post-war Vienna, the city and the soundtrack become supporting characters in this tale of bitterness and woe. The effects of economic and social corruption are endemic on the population of Vienna, a once great European city, famous for its beauty and history, now shabby and distorted (Graham 99). Doubtless, it is one of the most glorious films which reflected a chaotic reality.
The Third Man was granted an everlasting success throughout the history of film. Its fame was not only spread by fascinating audiences with thrilling music and twisted plot, but largely due to a bunch of shooting techniques. Here by using a technical term we usually call it cinematography which was a major point while examining films. For such a reason, we say it is a brilliantly filmed black and white morality tale where nothing is as it seems and everyone has something to hide (Mark 96). This paper, then discusses how these expert and subtle techniques are related to the demonstration of morality across the whole story that the director intended to show us.
The central theme of The Third Man is war and its negative effects on society. With Carol Reed breaking new ground in this movie, the way light and shadow play across the screen is truly brilliant. The juxtaposition of the city both beautiful and bombed out is not lost on the viewer. The city becomes another character, attractive in the light of day, but with a dark side that at night. The final chase sequence through the sewers is wonderfully shot, exciting and terrifying all at the same time. He uses canted camera angles, physical barriers, and the background of a torn apart post-war Vienna to develop the 'noir' feel. The Third Man is a classic example of the perfect use of that medium to exhibit and evoke mood and emotion with a mere shadow (Spencer 77).

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